Yet another weird SF fan

I'm a mathematician, a libertarian, and a science-fiction fan. Common sense? What's that?

Go to first entry



<< current
E-mail address:
jhertzli AT ix DOT netcom DOT com

My Earthlink/Netcom Site

My Tweets

My other blogs
Small Sample Watch
XBM Graphics

The Former Four Horsemen of the Ablogalypse:
Someone who used to be sane (formerly War)
Someone who used to be serious (formerly Plague)
Rally 'round the President (formerly Famine)
Dr. Yes (formerly Death)

Interesting weblogs:
Back Off Government!
Bad Science
Boing Boing
Debunkers Discussion Forum
Deep Space Bombardment
Depleted Cranium
Dr. Boli’s Celebrated Magazine.
Foreign Dispatches
Good Math, Bad Math
Greenie Watch
The Hand Of Munger
Howard Lovy's NanoBot
Liberty's Torch
The Long View
My sister's blog
Neo Warmonger
Next Big Future
Out of Step Jew
Overcoming Bias
The Passing Parade
Peter Watts Newscrawl
Physics Geek
Pictures of Math
Poor Medical Student
Prolifeguy's take
The Raving Theist
Respectful Insolence
Seriously Science
Slate Star Codex
The Speculist
The Technoptimist
Tools of Renewal
XBM Graphics
Zoe Brain

Other interesting web sites:
Aspies For Freedom
Crank Dot Net
Day By Day
Dihydrogen Monoxide - DHMO Homepage
Jewish Pro-Life Foundation
Libertarians for Life
The Mad Revisionist
Piled Higher and Deeper
Science, Pseudoscience, and Irrationalism
Sustainability of Human Progress

Yet another weird SF fan

Saturday, November 05, 2005

Storyline Patents and Crackpots

An author is trying to patent a story line. I noticed that the excuses given resemble the rhetoric of crackpot scientists:

[0013] There is currently little motivation for artistic inventors to innovate new plots, themes, and methods of expression. The value of an innovator's copyright, if he in fact embodies his invention in a particular expression (such as a novel or movie) is far less than the value of the invention itself, because the invention umbrellas every possible embodiment. Further, and perhaps more importantly, the value of his copyright depends on his ability as a performer, not as an inventor. An artistic inventor who invents a fantastically original and compelling plot may not be a particularly skilled writer. He may, for example, have a very limited vocabulary and a poor understanding of grammar. Any book he creates will be avoided by any potential buyer who reads the first paragraph, such that the copyright value of his extremely valuable invention is nil. Any Hollywood producer who sees through the book's garbled sentence structure to the excellent and creative plot beneath the surface may steal the only value the book contained: its inventive plot. The producer may then moderately alter the expression of the plot in a subsequent movie--while keeping the plot's essence fully intact--and obtain unearned financial benefit from the inventor's unrewarded hard work and innovation. If there is any evil that the United States patent system ought to prevent, it is this.
In the above paragraph, the potential storyline patenters use two of the commonest tropes of scientific cranks (12 and 15 here):
  • I can't tell anybody the details of my marvelous ideas because the Powers That Be will steal them.

  • I don't know anything about the subject I'm revolutionizing but a True Innovator can ignore minor details.

In any case, ideas are “a dime a dozen” and some people are willing to supply the dimes.

There's also the little matter that the storyline in question isn't that original


Post a Comment

<< Home

My Blogger Profile
eXTReMe Tracker X-treme Tracker

The Atom Feed This page is powered by Blogger.